Why Cakewalk didn't buy CE 2000 (not talking about CE Pro) is beyond me. So CE 2000 was sort of integrated into GT Pro at one time and it worked great. In addition, it can analyze the volume level and perform. Audio DSP supports 8 bit, 16 bit and 24 bit audio resolution, as well as 32-bit floating point samples. It allows you to change the sampling frequency in a wide range, from 8000Hz to 96KHz. Then GT Pro would ask if you wanted to keep the changes you made to the track. The heart of the converter is a high-quality DSP module that processes audio with 32-bit precision. When you were done you simply clicked saved and exited CE 2000. So if you wanted to edit a track in GT Pro, you just had to highlight it, click tools/CE 2000, and it would automatically launch CE 2000 and your track would be in the main window ready to edit. If you owned CE 2000 and then bought GT Pro 2.0 or earlier version of GT, CE 2000 would automatically show up in the tools section. It's not owned by Adobe, but it's also not being sold by Dave (his former company-Syntrillium-is out of business since he took the new job). Now, even though he still owns CE 2000, Adobe would frown on his selling it to people because they would see it as competing with them. So even though it's now called Adobe Audition, it's still developed by the same guy who owned it all the years it was CE Pro. However, as part of the deal, he not only sold CE Pro to Adobe, but took a job with the company as chief engineer for the very product he sold them. When Dave Johnston sold the company to Adobe, he only sold the Pro version. Cool Edit 2000 was just the wave editor by itself and could be had for well under a hundred bucks.
It ran around $300 when Syntrillium had I think. Pro was a multitrack recording app that had a built-in wave editor. First, we should differenciate between Cool Edit Pro and Cool Edit 2000. Yeah, this is a bit of a different situation.
0 kommentar(er)
